Full Text

Turn on search term navigation

© 2021 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.

Abstract

The current study aimed to explore the behavioral and neural correlates of mindfulness-based music listening regulation of induced negative emotions related to COVID-19 using the face–word Stroop task. Eighty-five young adults visited the laboratory and were randomly assigned to three groups: a calm music group (CMG: n = 28), a happy music group (HMG: n = 30), and a sad music group (SMG: n = 27). Negative emotions were induced in all participants using a COVID-19 video, followed by the music intervention condition. Participants underwent the face–word Stroop tasks during which event-related potentials (ERPs) were recorded. The N2, N3, P3, and late positive component (LPC) were investigated. The results showed that calm music and happy music effectively regulate young adults’ induced negative emotions, while young adults experienced more negative emotions when listening to sad music; the negative mood states at the post-induction phase inhibited the reaction of conflict control in face–word Stroop tasks, which manifested as lower accuracy (ACC) and slower reaction times (RTs). ERP results showed negative mood states elicited greater N2, N3, and LPC amplitudes and smaller P3 amplitudes. Further studies are needed to develop intervention strategies to enhance emotion regulation related to COVID-19 for other groups.

Details

Title
Regulation of Mindfulness-Based Music Listening on Negative Emotions Related to COVID-19: An ERP Study
Author
Liu, Xiaolin 1   VIAFID ORCID Logo  ; Liu, Yong 2 ; Shi, Huijuan 3 ; Li, Ling 3 ; Zheng, Maoping 4 

 Key Laboratory of Cognition and Personality (Ministry of Education), Southwest University, Chongqing 400715, China; [email protected] (X.L.); [email protected] (Y.L.); School of Psychology, Southwest University, Chongqing 400715, China; Institute of Chinese Music Aesthetic Psychology and Basic Theory of Music Performance, Chongqing Institute of Foreign Studies, Chongqing 401120, China; [email protected] (H.S.); [email protected] (L.L.) 
 Key Laboratory of Cognition and Personality (Ministry of Education), Southwest University, Chongqing 400715, China; [email protected] (X.L.); [email protected] (Y.L.); School of Psychology, Southwest University, Chongqing 400715, China 
 Institute of Chinese Music Aesthetic Psychology and Basic Theory of Music Performance, Chongqing Institute of Foreign Studies, Chongqing 401120, China; [email protected] (H.S.); [email protected] (L.L.) 
 Key Laboratory of Cognition and Personality (Ministry of Education), Southwest University, Chongqing 400715, China; [email protected] (X.L.); [email protected] (Y.L.); School of Music, Southwest University, Beibei, Chongqing 400715, China 
First page
7063
Publication year
2021
Publication date
2021
Publisher
MDPI AG
ISSN
1661-7827
e-ISSN
1660-4601
Source type
Scholarly Journal
Language of publication
English
ProQuest document ID
2549335881
Copyright
© 2021 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License.