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(the order should have been reversed) were all to do with elemental and physical colour. Pesek is not an intrusive conductor.
He prefers inspiration to heavy-handed instruction, and certainly seemed unruffled by the sudden and impetuous interaction between waves and wind in Debussy"s wonderful evocation of seascape, something Liverpudlians, who all too readily take the sea for granted, should closely examine.
There again, La Mer is better viewed as a great tidal rise and fall, rather than any classical elemental chaos of the...
