You may have access to the free features available through My Research. You can save searches, save documents, create alerts and more. Please log in through your library or institution to check if you have access.
If you log in through your library or institution you might have access to this article in multiple languages.
Styles include MLA, APA, Chicago and many more. This feature may be available for free if you log in through your library or institution.
You may have access to it for free by logging in through your library or institution.
You may have access to different export options including Google Drive and Microsoft OneDrive and citation management tools like RefWorks and EasyBib. Try logging in through your library or institution to get access to these tools.
義大利為聲樂藝術之發源地，對於西歐各國的音樂發展深具影響力。
從巴洛克到古典時期這段時間，筆者選出三位具劃時代貢獻的作曲家所創
作的歌曲來探討，分別是蒙特威爾第 (Claudio Monteverdi, 1568 – 1643)的
〈讓我死吧！〉(Lasciatemi morire! )、斯卡拉第 (Alessandro Scarlatti, 1659-
1725)的〈別再折磨我〉(O cessate di piagarmi)，和葛路克 (Christoph Gluck,
1714-1787)的〈噢! 我親愛的佳人〉(O del mio dolce ardor)
Alternate abstract:
You are viewing a machine translation of selected content from our databases. This functionality is provided solely for your convenience and is in no way intended to replace human translation. Show full disclaimer
Italy is the birthplace of vocal art and has a profound influence on the music development of Western European countries.
During the period from the Baroque to the classical period, the author selects three composers who made epoch-making contributions.
Songs composed by Claudio Monteverdi (1568 – 1643)
<Let me die! 〉(Lasciatemi morire! ), Scarlatti (Alessandro Scarlatti, 1659-
1725)'s "O cessate di piagarmi" (O cessate di piagarmi), and Gluck (Christoph Gluck,
1714-1787)'s "Oh! My dear beauty" (O del mio dolce ardor).
